General Gonad said:
Doc,
I agree that there were no blockbusters but people will remember this year as a total surprise year. It will go down as a great trivia year: Which was the biggest surprise in the Academy's history?
Anyways the adjective that keeps coming to my mind is lacklustre...
GG
The lack of true (financial) blockbusters for 2005 may signal a much-needed change in Hollywood, as one of the most expensive films ever, King Kong (budget north of $200 million) still has yet to generate a comfortable profit. Next summer's crop of frighteningly expensive popcorn blockbusters (Superman, Spider-Man and Miami Vice [?!?], each at over 250$ Million), could literally rewrite the way Hollywood makes movies if none of them generates a substancial profit...
250$ million ?!?
(where does all that money go?)
What scares me as a filmgoer, as much as i love a good summer blockbuster, the older generation of oscar-worthy filmmakers have more trouble than ever securing their financing (I think of Ridley Scott, Milos Forman,Terry Gilliam, etc.), while those i consider hack directors keep on butchering what might otherwise have been a decent film ( I could name so many examples...).
If it were still financially possible, a socially-conscious revolution such as the one in 70's cinema could be the panacea the movie industry so desperately needs, where so many thought-provoquing films rose up and forever secured their place in film history, such as Network, Shaft, All the President's Men, Norma Rae, Serpico, and so many others...
It will be interesting to see how 2006 shapes up...