"TED" is a enjoyable and funny movie.
Best scene is where Mark Wahlberg meets Sam Jones aka Flash Gordon.
Best scene is where Mark Wahlberg meets Sam Jones aka Flash Gordon.
I saw the new Bond movie this afternoon. It's one of the best Bond movies ever made IMHO.
The cast is great and the plot is very interesting. Like Casino Royale it is a bit long, but the action moves at a very fast pace and there are some very interesting twists and turns.
The most interesting thing about the film is that it pays intense homage to the Bond films of the 1960s. In particular a secret Bond weapon from one of the best (I would say the best) Bond films of the 1960s makes a rather dramatic reappearance in 2012. It is still as effective a secret weapon in 2012 as it was in the 1960s, as the bad guys learn.
In addition to this, we learn the backstory on 2 important characters of the 1960s Bond films who "re-appear" (sort of) at the end of the film. I always wondered watching the 1960s Bond movies about the backgrounds of these characters. They were never explained. Someone who is smart that is making these films noticed this, and took full advantage of the opportunity to explain their backgrounds in this movie. We now have a new perspective on all of the 1960s Bond films as a result.
Daniel Craig, Ralph Fiennes, Javier Bardem and Judi Dench are all stellar and so is Naomi Harris. We are also introduced to a new, younger Q who is as cocky and arrogant and condescending as the original Q back in the 1960s.
Lastly, Bérénice Marlohe, a French actress of mixed French/Chinese ancestry, is stunningly beautiful in the role of Sévérine, the latest in a long line of Bond femme fatales.
An absolute must-see especially for anyone familiar with the mythology of the 1960s Bond films. This is a Bond film for the serious Bond fan.
However, spy gadgets...a not so new no so special tech gun and a radio signal transmitter. Incredible car...they brought back a familiar classic Bond car...cool, but... The gorgeous sexual interest "Bond Girl"...she didn't appear until what seemed like forever, and she was around only briefly.
Merlot,
It has to be kept in mind that this movie was made and started shooting on the 50th anniversary of the Dr. No shoot, and the movie is clearly intended as a 50th anniversary tribute to Bond and the early Bond films. This is why they brought back the Aston Martin from Goldfinger. Although I too was disappointed that all they gave Bond as far as gadgets was a simple gun with a radio transmitter, "throwback" and "old school" was the order of the day and a fundamental theme of this movie. Do you recall what Kincade says to Bond about the weaponry that will be needed to combat Raul Silva at Skyfall? The message sent by that line and the final scene was, "the old stuff we used way back when still works." And it's all that they have. Since this movie was designed in part as a 50th anniversary tribute to Bond, the understated and "old school" weaponry and gadgetry was all consistent with that theme:
http://en.wikipedia.org/wiki/Aston_Martin_DB5
Apart from that point, it's true that there are no cool gadgets that one would expect in 2012, but again, the point was to celebrate the past rather than the present.
This was reinforced with the personal histories we learn about two characters from the 1960s films, which were never explained. This movie now adds a whole new perspective on each of the Bond films of the 1960s, which I thought was pretty cool.
I will agree with you that Sévérine had way too little screen time in this film. A gratuitous nude scene or two featuring her would also have been nice.
One I didn't walk out of was Searching for Sugar Man, a true story of an American musician whose two records bombed in the US in the early 1970s. Though he didn't find out for many years, he became a huge star, I mean Elvis-Beatles huge, in South Africa. Trailer here.
Throughout the movie, Daniel Day Lewis does a great job conveying the immense personal burden Lincoln carried as he felt that the 13th amendment was a necessary culmination to the Civil War, while understanding the nature and vigor of the opposition to it, and the daunting task of overcoming that.
In making this movie, Quentin Tarantino stated he wanted "to do movies that deal with America's horrible past with slavery and stuff but do them like spaghetti westerns, not like big issue movies. I want to do them like they're genre films, but they deal with everything that America has never dealt with because it's ashamed of it, and other countries don't really deal with because they don't feel they have the right to."
After seeing this movie this afternoon I think Tarantino succeeded quite brilliantly at his objective, although the movie has a few minor flaws.
who is bound to have audiences thinking about this film and some aspects of American history that have been seriously edited and glossed over in the history books.
But once again, Hollywood just made this crap up.