Yeah, haha ... the connection with Audiard was definitely in my mind. He did the last two episodes, as I recall. Omg, I love that ending! Rewatched it many times, both the assassination scene leading up to it and the Kassovitz' nightmare & its aftermath. Just devastating. Love the use of music throughout; but it's the depth of character, and the actors playing them, that really makes this series so strong.Thanks, as a matter of fact i mentioned this tv show in another thread, i missed it after i left France and rediscovered it recently since it's easier to find now because of the US remake "the Agency" (exact same story). It's an exceptional TV show in my opinion and the ending disturbed me a lot, funny story the last episodes were written end some even directed by Jacques Audiard who was much more inspired clearly.
I know you mentioned "les revenants" in an earlier post and it's also a very good show, much better in my opinion than the movie that came before (same title)
And what is going on with that dog who shows up from earlier episodes? Anyway, I think it's the same dog. It's a like a bit of magic realism ... as in the final scene below from season 3. I mean his dog can't really be there, so it kind of foreshadows what happens in the nightmare scene at the very end of the final season ...
Except for duration, there's now little to distinguish the best movies and the best TV. Many of the best contemporary filmmakers cross-over between both, like Park Chan-wook, who's done a couple of series, or Marco Bellocchio, better than ever at age 85, who recently did a six hour miniseries for Italian TV about the Aldo Moro kidnapping and murder in 1978.
Which I'm looking forward to watching in one sitting later today. It's his third go-around on the subject, first a documentary, then a really great film in 2003, and now this miniseries that looks like a case of history repeating itself, first time as tragedy second time as farce ...
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