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What is the best recent movie you’ve seen.

Techman

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I must one of the rare people that finds Tarantino's movies self indulgent and boring.

But I find it hilarious that they actually spelled 'bastards' incorrectly to avoid the over zealous American censors and the fact that they probably couldn't buy advertising in most newspapers if it was spelled properly.
 

EagerBeaver

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Inglourious Basterds - A+

Inglourious Basterds - My Review A+

(in English, French and German (with subtitles))

I went into this movie with the usual high expectations that I would have of a Tarantino movie, but I was pleasantly surprised that it exceeded my expectations! This is easily Tarantino's best movie since Pulp Fiction and some of the best dialogue he has ever written. There are two unforgettable characters in the movie, the notorious SS "Jew Hunter" Hans Landa (brilliantly played by Christopher Waltz who won best actor at Cannes) and the leader of the Inglourious Basterds, "Apache Aldo" Ray (Brad Pitt in his most memorable performance to date, as a moonshiner/hillbilly of Apache decent from Maynardville, Tenn.)). The movie is not quite as violent as I thought it would be, although there are 2 or 3 very intensely gory scenes, but it is substantially wittier and funnier than I expected and probably the wittiest WWII movie ever made. This movie also features an unforgettable ending, the best ever ending of any Tarantino movie, which was foreshadowed but still came as a complete surprise to me!!!!!!!

Excellently done, Bravo to Tarantino and Academy Award nominations to Tarantino as director and screenplay writer, Waltz and Pitt!!!!!!! It's the #1 movie in America and deservedly so.
 
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benxxx

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inglorious basterds

it's been too long since i wrote a review, i'll try it with a movie...less expensive for one

first of, i'm guilty as charged of being a Tarantino fan...don't accuse me of shilling for him please:rolleyes:

I intentionally avoided reading about this one beforhand to discover this movie as a surprise, This is a new teritory for tarantino as far as the setting go, but there's still some of his hallmark long quirky dialogues, offbeat moments that make you laugh without entirely knowing why and of course the occasional graphicly violent scene thrown in for shock/laugh value.

there's a little departure too, from the star studded cast that we've been used to in his early work. when do you see a tarantino poster with only one actor's name on it? Pitt's performance is actually quite good in the peculiar, over the top funny, but mostly unidimentional caracter of "Apache Aldo" but the performence of the movie goes without a doubt to Christopher Waltz for his brilliant portrayal of the ss "jew hunter" Hans Landa. what's a little misleading is that the inglorious Bastards's group storyline is is mostly a secondary plot to the main story that's about a Movie theatre owner Jewish girl who's a rescapee from one of Landa's raid and is out for revenge.

i guess we could say it is a fantasy wwII piece, because the writing is pretty lax on history to say the least. throw in an oblique score (like the bastards interogating a ss officer on a background of Enrico Morricone) the expected flashy editing bits, and a handfull of odd minor caracters (like an apearence of Mike Meyers that i still don't know what to make of...) and you defenitely have the eclectic signature of the filmmaker on this one, is Tarantino self-indulgent? full of himself? he most probably is... and hurray for him not shying away from injecting wit, style and personality into his work, i just love it!
 
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EagerBeaver

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Inglourios Basterds Cast From Wikipedia

The Allies

The Basterds (The Jewish Americans)

* Brad Pitt as 1st Lieutenant Aldo Raine aka "Aldo the Apache":[7] A fast-talking, thickly accented, vengeance-driven hillbilly from Maynardville, Tennessee, who puts together a team of eight Jewish American soldiers. He bears a rope burn on his neck, which is not mentioned in the film; the script hints that he might have survived a lynching. One of the film's main protagonists: the character has been described as "a voluble, freewheeling outlaw" similar to Jules Winnfield from Tarantino's Pulp Fiction.[8] His first appearance in the film is a subtle homage to George Carlin's The Indian Sergeant routine. The character's name is a tribute to the character actor Aldo Ray, who appeared as a tough soldier in many WWII films such as Battle Cry and What Did You Do in the War, Daddy?.
* Eli Roth as Staff Sergeant Donny Donowitz aka "The Bear Jew":[9] A huge and obnoxious "baseball bat-swinging Nazi hunter" from Boston who is known as "The Bear Jew" among Nazis.[10] Some of them seem to fear that Donowitz is in fact, a vengeful golem, summoned by an angry rabbi. The role was originally conceived for Adam Sandler, who was in talks with Tarantino before declining due to schedule conflicts with the film Funny People. Roth also directed the film-within-a-film, Nation's Pride, which alludes to Nazi wartime propaganda films.
* Til Schweiger as Hugo Stiglitz: A strange and quiet German-born psychopath, former Feldwebel in the Wehrmacht who is recruited by Aldo to kill other Nazis. The character's name is a tribute to the famous 70s B-movie mexploitation actor Hugo Stiglitz.[11]
* Gedeon Burkhard as Wilhelm Wicki: An Austro-German Jew[12] who immigrated to the United States, becoming a citizen as the Third Reich established itself in Europe. Wicki acts as the Basterds' translator.
* B. J. Novak as PFC Smithson Utivich aka "The Little Man"[13] - In an interview with Esquire Magazine, Novak theorizes that PFC Utivich came from a family that named their son Smithson in an attempt to integrate themselves into the WASP-y mainstream and that signing up to fight the Nazis is his attempt to reclaim his Jewish heritage.
* Omar Doom as PFC Omar Ulmer[14]
* Samm Levine as PFC Gerold Hirschberg[15]
* Paul Rust as PFC Andy Kagan: A character Tarantino added in after meeting Rust.[16]
* Michael Bacall as PFC Michael Zimmerman.
* Carlos Fidel as PFC Simon Sakowitz.[17]

The British

* Michael Fassbender as Lt. Archie Hicox: A "snappy and handsome British lieutenant" and a film critic in his pre-war civilian life. He is described in the script as a "young George Sanders type". One of the film's main protagonists, albeit introduced later in the movie. The character was originally intended to be played by Tim Roth, then later by Simon Pegg.
* Mike Myers as General Ed Fenech: A "legendary British military mastermind" who provides a plot to kill Nazi leadership.[18] Based on the older George Sanders.
* Rod Taylor as Winston Churchill: The then-Prime Minister of the United Kingdom.[19]

The Jews

* Mélanie Laurent as Shosanna Dreyfus: A young French-Jewish girl on the run. One of the film's main protagonists,[20] Tarantino states that Shosanna was "always a main character".[21]
* Cloris Leachman as Mrs. Himmelstein: An elderly Jewish woman living in Boston.[19] Although filmed, the scenes featuring Mrs. Himmelstein drinking tea with Donny Donowitz (and signing his trademark baseball bat afterwards) were cut from the final film. Tarantino says that he might use the footage in the prequel instead.

The Axis Powers

The Nazis


* Christoph Waltz as Standartenführer Hans Landa aka "The Jew Hunter": A romantic, yet utterly sinister pipe-smoking Nazi Waffen-SS-turned-SD officer so nicknamed in reference to his keen ability to locate Jews hiding throughout France.[13] Tarantino claims that if he had not found a perfect actor for the role, he "might have pulled the plug on the whole movie".[22] Tarantino also remarked that this might be the greatest character he's ever written. A linguistic genius (it is obvious from the dialogue that he speaks perfect English, German, French and Italian) and a charming detective, Colonel Hans Landa is the primary antagonist of the film. For his performance, Christoph Waltz won the Best Actor Award in the 2009 Cannes Film Festival.[23]
* Daniel Brühl as Gefreiter Fredrick Zoller: A young arrogant German Wehrmacht war hero starring in Joseph Goebbels' newest propaganda film entitled "Stolz der Nation" (which is actually directed by Eli Roth who is Jewish).[19][24] This character name shares similarities to producer Frederick Zollo for whom Eli Roth was an intern for while attending NYU.
* August Diehl as Sturmbannführer Dieter Hellstrom: A uniformed Gestapo officer.[19]
* Alexander Fehling as Wilhelm, a Nazi soldier celebrating the birth of his son at a French tavern.
* Sönke Möhring as Gefreiter Butz.[19]
* Richard Sammel as Feldwebel Werner Rachtman.[19]
* Sylvester Groth as Joseph Goebbels.[19]
* Martin Wuttke as Adolf Hitler.[19]

Other roles

* Diane Kruger as Bridget von Hammersmark: A popular film star in Nazi Germany and a spy for the Allies.[13]
* Samuel L. Jackson as The Raconteur
* Bo Svenson as American Colonel: Quentin Tarantino said he gave Svenson a small cameo that will be hard to recognise. He is the colonel in Nations Pride. He is seen briefly in in the movie but can be seen more close up in the Nations Pride trailer
* Julie Dreyfus as Francesca Mondino: Joseph Goebbel's mistress, French interpreter and favourite actress to appear in his films.[25]
* Ludger Pistor as Wolfgang:[19] A role Tarantino added specifically for him.
* Christian Berkel as Eric: The Barkeeper.[19]
* Maggie Cheung as Madame Ada Mimeux: Although her scenes were cut from the Cannes cut for length reasons,[26] Cheung played Madame Mimieux, a beautiful French woman who owned the cinema marquee in Paris where most of the movie is set.[27][28]
* Denis Menochet as Perrier LaPadite.[14]
* Jacky Ido as Marcel: Shosanna's beloved and a projectionist at Mimeux's cinema.[14] A man of quiet dignity.
* Jana Pallaske (rumored) as an unconfirmed character.[29]
* Enzo G. Castellari as Obergruppenführer: A nameless Nazi General, although strangely credited as "himself" in the film. Castellari had done a Nazi cameo in his own Inglorious Bastards and reprised the role in this movie as well, but under a different rank and SS organization.[30][31][32]

Harvey Keitel lends his voice as the Basterds' commanding officer, heard only over the radio in a call to Raine and Landa. Acording to IMDb, Tarantino is in the film as the voice of an American solider in Eli Roth's "Nation's Pride", and a dummy of him is the first dead nazi scalped in the film, and finally, he is also a fake shemp for Christoph Waltz's hands when (edited for poiler content). Tarantino originally talked to Simon Pegg about portraying Lt. Archie Hicox, but the actor was forced to drop out due to scheduling difficulties[33] having already agreed to appear in Spielberg's Tintin adaptation. However, Pegg did make Tarantino promise to cast him in his next film.[34] Also, Tarantino originally sought for Leonardo DiCaprio to be cast as Hans Landa,[35] a poetic Nazi colonel targeted by the resistance.[8] The director then decided to instead have the character played by a German actor.[10] The role ultimately went to Christoph Waltz, an Austrian actor who, according to Tarantino, "gave me my movie back."[36] Jack White & Adam Sandler were both rumored to play a pair of the Basterds at one point.
 
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EagerBeaver

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Best Line In "Inglourious Basterds"

My favorite lines in "Inglouriois Basterds"

"Apache Aldo" Ray (Brad Pitt) to captured Nazi soldier:

“Why don’t you use your fucking weiner-schnitzel licking finger and show me where on this map the German snipers are positioned.”

Ray to the same captured Nazi:

“If you ever want to eat another sauerkraut sandwich again, you will show me where on this map.”
 
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EagerBeaver

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It is a brilliant piece of QT's mind.

I agree, and I intend to see the movie again. I have seen all of Tarantino's movies and this one is his second best after Pulp Fiction. I believe the ending of Inglourious Basterds was actually better than the ending of Pulp Fiction, but the overall ensemble acting in Pulp Fiction was better as there were amazing performances by Jackson, Travolta, Harvey Keitel, Uma Thurman and Bruce Willis, not to mention Ving Rhames. However, the dialogue between the characters was almost as good in Inglourious Basterds as it was in Pulp Fiction.

I have seen Pulp Fiction 5 times and Inglourious Basterds only once. One of the attorneys I work with pointed out to me that the opening scene of Inglourious Basterds, at the farmhouse in France, was a classic example of a technique used by Hitchcock to create suspense. Hitchcock once commented that you can turn what would otherwise be a mundane conversation between two people into edge of your seat, enthralling cinema by showing a bomb underneath the table as the two people are talking. The opening scene with the conversation between Hans Landa and the French dairy farmer at the latter's kitchen table is an eye popping example of the Hitchcock technique in this regard. Tarantino is sort of like a film school geek who never went to film school. And "Inglorious Basterds" is a film grad school professor's wet dream as Tarantino uses just about every distinguishing technique used by Leone, Kubrick and Hitchcock - masters of the trade - to great effect. I can almost guarantee you the NYU Film School is making this movie mandatory viewing for its students.
 
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Doc Holliday

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STATE OF PLAY.

(Very good political thriller, starring Russell Crowd, Rachel McAdams, Ben Affleck & Helen Mirren)
 

Mike Mercury

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Pretty good? If you saw it, I know you weren't sleeping, so you must've slipped into a coma once in a while.
It is a brilliant piece of QT's mind.


How does the audience feel at the execution of the people in the opening scene in that farmhouse. Some were appalled but not surprised at NAZI cruelty. How does the audience that laughed (or cheered) at Germans getting beaten or shot to death now feel when they see Hitler laughing at Americans getting killed. What about the antisemites in the audience, how many snickered when the the theater owner was killed.

Quentin made the milk scene very obvious. Where is this milk going to lead? Ahhh. The milk again, does the Jew Hunter know who the girls is? He obviously knew and did nothing?


However the beauty of Quentin`s work is in many scenes we have no clue where the scene is going to go. Time seeems to slow down as people play their games. And then something spectacular a la Quentin happens.

Brilliant? Time will tell. Entertaining? Well done? Certainly.
 
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Doc Holliday

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Nope. "Recent" was not defined. Have not seen Nicole in the last year either. Recent for me is up to 5 years

Are you setting the definitions now? Have you been elected to furnish definitions?

No need to get all uptight. For me (and for most people i suppose), 'recent' means within the past week or so. Five years???? :confused:

Tomorrow, i'll see that new Brad Pitt/Tarentino movie. I heard it's great. Will report back.
 

protagoras

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A mulher invisivel

Just saw A mulher invisível (The Invisible Woman).

It's a comedy and the history (very simplified) is the following one. Pedro (Selton Mello) is desesperate when his wife Maria (Maria Luisa Mendoça) tells him that she's leaving. After three months of intense depression he heard someone knocking at his door. When he opened up the door there was standing in front of him Amanda (Luana Piovani), her new neighbour. She's the perfect woman : sweet, caring. sexy, clever, good lover, not jealous and even a sport fan! The only problem is that Amanda doesn't exists, she's only a figment of his imagination.

The main reason I was attracted to this movie was because Luana Piovani is one of the main characters. This former model, famous in the eraly 90's, was once voted the sexiest woman of the world. I noticed her in the 2003 movie O homen que copiava [The man who copied] (and this movie is one the best one I have ever seen).


TRAILER
http://wwws.br.warnerbros.com/amulherinvisivel/site/?
 
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EagerBeaver

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Burn After Reading

Genre: Black Comedy
EB's review: B+

I recently rented "Burn After Reading" (BAR) on DVD (I don't have the Blu Ray technology in my home yet but if anybody does I would like to hear about it).

A few people I know told me they did not understand what BAR is all about or is supposed to be about. It's a black comedy. To me, although it's a very unusual film, it's not all that different from the other films of the Coen Brothers in terms of the plot being driven by a series of unexpected accidental events that change the lives of the characters. What's unusual is that there are no protagonists in this movie, and every single one of the characters in the movie, without exception, is a MORON. In fact the John Malkovich character stands out because he is a moron who does not realize that he is a moron (something that the Coen Brothers have fun with in the final scene involving Malkovich's character). What the movie is all about is mocking the absurd decisions and actions of the moronic characters in the movie. It is black comedy in its purest form.

What the movie does is to unleash on the viewer a cascade of events that is precipitated by the John Malkovich character's loss of his job with the CIA, his wife's subsequent decision to divorce him and steal his financial and work info off his computer, and the ensuing accidental loss of that CD by her lawyer's secretary, which is found by a group of extreme morons who then unsuccessfully attempt to blackmail Malkovich. The film reaches its comic climax when the Frances McDormand character, arguably the biggest moron in the whole cast of morons, unsuccessfully tries to sell the CD to the Russian Embassy in Washington D.C. In a classic scene, McDormand, who naively believes the CD has classified secrets worth many of thousands of dollars which will pay for the 4 plastic surgeries she desarately wants to have, is told by the Russian analyst that the CD is "drivel."

For Coen Brothers lovers the film is a must rent but it is not in the same league as "Fargo", "No Country For Old Men", or "The Big Lebowski." The movie does feature excellent performances by Malkovich as the alcoholic CIA ex operative who does not understand that he too is a moron, and Brad Pitt as a knuckleheaded fitness center employee.
 
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benxxx

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Cohen Brothers

right! the man who wasn't there was great! and burn after reading was actually a good comeback for the Cohens after a couple duds... some other worth of mention Cohen brothers movies(beside the obvious Fargo,The great Lebovski and o' brother...) are
Millers Crossing(one of my favorite gangster movies)
Barton Fink(certainly their darkest and weirdest effort)
The hudsucker proxy,
ant the always funny Raising Arisona...
i know, i should just have listed all of their movies, except a couple of their most recent...
 

EagerBeaver

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"Frozen River"

I saw "The Man Who Wasn't There." It features a much younger Scarlett Johanssen before she became famous. Another good Coen Brothers movie.

Another one I watched this afternoon was "Frozen River." My mother had raved to me that this was the best movie she had seen off Netflix in the last year. I would give it a B-. It did just enough to hold my interest, but features a very good performance by Melissa Leo who received an Academy Award nomination for best actress for her role in the movie. It's about a white American woman and a Native American woman, both single mothers living near the US-Canadian border in Massena, NY, who join forces to smuggle illegal aliens from the Canadian side to the American side. They are smuggling mostly off the boat Asians into the USA from Canada, and these Asians are paying $40,000-$50,000 for the privilege. Why these Asians (who are already in Canada) are not happy there and would be willing to pay $40,000 to $50,000 to come to the USA is a question you would have to ask them. It's also an issue that is beyond the scope of the movie which primarily focuses on the economic and family pressures that force these two single women into becoming smugglers. The movie makes reference to some of the smugglees being sent by traffickers who are operating in Montreal to a reservation on the Canadian side of the border . The smugglees are then picked up there, stuffed into the trunk of Melissa Leo's Ford Spirit and then driven across the frozen St. Lawrence River at night, where they are deposited at another Indian reservation on the US side.

I did not find the movie to be particularly interesting, although the film does manage to be carried by Melissa Leo's very convincing performance. It's probably a decent chick flick although a bit heavy and certainly not uplifting.
 
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Dray

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My favorite movie of all time...

You probably never heard of that movie...

Its an odd foreign film distributed by a weird bunch off peoples...

I only saw it for the first time one week ago and its a blast!

I managed to find you a short extract on YouTube...

;)

Enjoy!

YoshiZ triXs

LuV!
Dray
XXXX
 

Techman

The Grim Reaper
Dec 23, 2004
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You probably never heard of that movie...

Its an odd foreign film distributed by a weird bunch off peoples...

I only saw it for the first time one week ago and its a blast!

I managed to find you a short extract on YouTube...

;)

Enjoy!

YoshiZ triXs

LuV!
Dray
XXXX

Well I must admit that it was better than Transformers 2 or Angels and Demons that I watched last night. :D
 

hungry101

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Oct 29, 2007
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Coen Brothers

I am a big fan of the Coen Brothers. I'm glad to see that there are some other Merbites out there that enjoy their movies as much as I do. I have yet to see one of theri movies that failed hold my interest or entertain. I even enjoyed Intolerable Cruelty and Lady Killers and these were supposed to be flops. I believe their best movie and the best movie of all time is the Big Labowski. If you get a chance, pick up the book "I'm a Labowski Your a Labowski." This silly movie had broad appeal and touched many. It even touched off the birth of a new religion called "Dudeism" which is the slowest growing religion in the world. I really liked No Country but at the same time I was a little disappointed. In most Coen Brothers movies, no matter how dark, you always can find something to laugh at. I also did not like the ending. I really think that the Best Picture for No Country was really a reflection of a body of work. I think that every Hollywood director and producer wishes they could make movies like the Coen Brothers. I am even starting to notice that film makers will pay tribute to the Coen Brothers in their own movies. In Little Miss Sunshine, the father had to meet Stan Grossman about a business deal and In Superbad Jonah Hill makes mention of them. I also am surprised at how entertaining George Clooney is when casted in Coen Brothers movie and how dull he is in nearly everything else.

As for new movies? I liked "The Hangover" and I also laughed my ass off at "Year One." I know "Year One" had poor reviews but there were parts that made me laugh so hard my sides literally hurt. I also saw Bruno but it was not even close to Borat. I did like Bruno's hunting trip and also when he was casting a part for a child actor. I couldn't believe what parents were willing to subject their children to so that they may land a roll in a movie.
 

EagerBeaver

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I believe their best movie and the best movie of all time is the Big Labowski. If you get a chance, pick up the book "I'm a Labowski Your a Labowski." This silly movie had broad appeal and touched many. It even touched off the birth of a new religion called "Dudeism" which is the slowest growing religion in the world.

"The Big Lebowski" has been called the #1 cult film of the Internet era. It has also spawned annual Lebowski Fests in many cities, the original festival being spawned in Louisville, Ky in 2002. See link below. Sadly, there is no Lebowski Fest offered in Montreal:

http://en.wikipedia.org/wiki/Lebowski_Fest

As far as the religion of Dudeism goes, there are many who practice this religion without even knowing it, including some MERB members.
 
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